Ezra.1

Composed in 1898, the complete opus 39 for voice and piano is based on texts by Richard Dehmel and Otto Julius Bierbaum and inspired by his wife, soprano Pauline de Ahna. The song cycle includes: 1.

Prokofiev's compositions were inspired by Symbolism and Futurism, and his early works showcased a percussive treatment of the piano, similar in some respects to Bartok. Prokofiev's Four Pieces for Piano,

Prokofiev's compositions were inspired by Symbolism and Futurism, and his early works showcased a percussive treatment of the piano, similar in some respects to Bartok. Prokofiev's Four Pieces for Piano,

In the two Impromptus a la mazur op. 7 by Alexander Scriabin (1872-1915) the influence of Chopin is clearly evident. Chopin's music constitutes the point of departure in a musical progression that would

Collection of pieces for cello and piano from the Rob. Forberg catalogue. Includes pieces by Tchaikovsky, Rebikov, Pachulski, Scriabin, Alexander Krein. Level intermediate to advanced. (no new

This book contains 8 pieces for solo double bass with piano accompaniment from great Russian composers. Includes piano score and bass part.

This edition encompasses different styles and genres found in the piano works of Alexander Scriabin (1872-1915).

Contents: Sonate-Fantaisie; Valse op. 1; Etude op. 2 No. 1; Poeme

Johann Joachim Quantz (1697-1773) was one of the most famous flautists of his time. As a composer his repertoire included a significant number of sonatas for flute and continuo. Seven of these compositions,

Alexander Scriabin's piano sonatas are a testimony to the spasmodic tension the composer brought to that act of consciousness and regeneration to which he gave the name ecstasy.

Scriabin would

Alexander Scriabin (1872-1915) was one of the composers who brought about a revolution in musical language at the turn of the twentieth century. In his specific case, this revolution involved harmony:

Anton Arensky is a very important figure in the history of Russian romantic music. He studied composition under Rimsky-Korsakov and subsequently taught Skrjabin, Rachmaninov and Gretchaninov. This edition

Prelude and Scherzo for Double Bass and Piano by the Russian composer Reinhold M. Gliere, whose musical style represents a link between Late Romanticism (Tchaikovsky) and Modernism

Intermezzo and Tarantella for Double Bass and Piano by the Russian composer Reinhold M. Gliere, whose musical style represents a crucial link between Late Romanticism (Tchaikovsky) and

The complete opus 51 for piano by the Czech conductor and composer Eduard NapravnÍk. Contents: Romance, Fandango.